Roland jx-305 manual

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Yes, that's correct Do not update. Very Good Used Very Good items may show a few slight marks or scratches but are fully functional and in overall great shape. Digital Synths. Page 62 Chapter 5. It is used to make the sound brighter and sharper. Page 64 Chapter 5. As it is rotated counterclockwise, the Follow volume will decrease. Creating Original Sounds Patch Edit fig. Page 69 Chapter 5.

Page 70 Chapter 5. Velocity Time 4 Sensitivity fig. By cyclically modulating the cutoff frequency you can create a wah effect. Page 75 Chapter 5. Page By Each Controller Control Adjusting the Range of Pitch These settings determine how the controllers pitch Bend Bend Range bend lever, modulation lever, aftertouch will control the patch parameters etc.

For each controller, you can assign up to four parameters for each tone Set the cutoff frequency of each tone to approximately Control 1 through Control 4. Page Portamento Mode Chapter 5. When Solo Legato is on, playing a note while the previous note is still held will cause only the pitch to change, without generating a new Time attack.

Page 80 Chapter 5. Page 81 Chapter 5. The selected curve will selected, you can adjust the depth of the booster. By using velocity range settings, you tones. Creating Original Sounds Patch Edit 5.

Page Patch Initialize Chapter 5. Select the patch that you wish to initialize. The indicator will light. Page Chapter 6. Page Pitch-Related Settings Chapter 6. Page 88 Chapter 6. Coarse Tune fig.

The filter will not be used. You can set the four parameters Time1—4. Page Filter Envelope Chapter 6. Creating an Original Rhythm Set Rhythm Edit LPF Low Pass Filter Depending on the cutoff frequency setting, raising the Rotating the knob clockwise will cause the sound to resonance excessively may cause the sound to distort become brighter, approaching the original waveform.

As it is rotated counterclockwise, the Specifies the time until the next cutoff frequency is volume will decrease. Select the rhythm set. Page Chapter 7. Range: 0— Reverb is an effect which adds reverberation and fig. Page Making More Detailed Settings 2. Press BANK [2]. When the delay time is synchro- 3.

Rotating the knob This is a 4 band high, midrange x 2, low stereo equal- toward the left will decrease the volume of the multi- izer. This is a type of filter, which modifies the tonal charac- Range: 0. Applying Effects to the Sound Effects Enhancer Add Sparkle to the Sound Overdrive Distort the Sound Mildly By controlling the overtones of the high frequency This simulates the soft distortion that occurs when you range, this effect adds sparkle to the sound, giving it raise the gain of a vacuum tube amp.

It also contains an amp simulator, simulate a Lo-Fi sound. This effect mutes the tone and adds disc noise to simu- fig. Applying Effects to the Sound Effects Compressor Make the Volume Limiter Smooth Out Level More Consistent Irregularities in Volume This effect suppresses loud volume levels and boosts This effect compresses the sound when it exceeds a soft volume levels, making the volume more consis- specified volume level, thus preventing distortion.

Page The Sound Chapter 7. This is especially effective when applied to sustain-type sounds. Applying Effects to the Sound Effects Tremolo Cyclic Changes in Phaser Modulate the Sound Volume By adding a phase-shifted sound to the original sound, this effect modulates the sound to add depth and a This effect cyclically modulates the volume to create sense of rotation.

Page Filter Type Chapter 7. Phaser effect. It pro- duces a chorus effect with an impression of trans- High Gain parency. This is a short delay which allows you to set the left Range: 0— and right delay times independently. Page Auto Pan Chapter 7.

This effect shifts the pitch of the original sound and Range: 1—5 layers it with the original sound. It can be used to play As this setting is increased, the response will be slow- unison lines at an interval of an octave or fifth, or to er, but the sound will be more stable. This effect adds reverberation and ambiance to the Range: 0— sound, creating spatial depth. Page Chapter 8. Recording Patterns The indicator will blink, and the Recording Standby on the keyboard and your controller operations are page will appear.

The JX uses two types of real-time recording, and different types of data are recorded using different methods. Recording Patterns fig. Page Rehearsal Function Chapter 8. Recording Patterns 4. When preparations are complete, you can Auditioning Phrases During start recording with the selected recording Recording Rehearsal Function method.

Recording can be started in one of When you use the Rehearsal function, your playing on the following two ways. Recording Smoothly Across 4. Recording Patterns 3. When you use the part mixer to set a value during recording, the part mixer operation will be recorded from that point.

Page Real-Time Erase Chapter 8. When used for the rhythm of a note. Recording Patterns If you are using step recording method 1 to Velocity record Specifies the strength of the note. An easy way to Step Time and Gate Time apply a slide effect is to use legato input in conjunc- In general, Step Time is the length from one note to the Recording Patterns Velocity To cancel your input, press the key at the location that Specifies the strength of the note.

If you wish to input the velocity at which the note was fig. Page Inputting Complex Rhythms Chapter 8. Page Chapter 9. Editing Patterns Chapter 9. Editing Patterns For example, if you wish to copy from measure 4 to the end of measure 6, make settings as follows.

Editing Patterns Deleting Unwanted Measures 8. The confirmation screen will appear in the display. Delete Measure fig. If there is data later than the area that was deleted, the musical data of that part will become shorter. Select the part from which you wish to the end of the musical data. Editing Patterns If you wish to transpose only a specific range of notes, The confirmation screen will appear in the display. If you fig.

Select the pattern in which you wish to modify the gate time. Select the type of musical data that you wish to shift. Using this operation, the timing of the musical data in fig. Page Edit Quantize Chapter 9. Editing Patterns 4. Select the part whose timing values you 5. Page 3.

Since the JX will calculate the checksum auto- sor to the location that you wish to modify. Page Chapter Page Pattern Set Write Chapter Page Recording A Song While the pattern is being auditioned, the name of the pattern being auditioned will be shown in the display.

Select the song that you wish to record. Page Delete Pattern Chapter This operation copies a song to a specified location in a different song. Select the pattern that will be inserted. The cursor will move to the beginning of the second The following display will appear.

Using Memory Cards Chapter Memory cards can be used in the following tion, be sure that the power is turned off when you ways. Using Memory Cards 3. Page Backup Load Chapter This operation loads the contents of a backup file that was saved on a card back into internal memory. Page MC Conversely, patch, rhythm set and pattern data that was written by the JX to a memory card can also be read by the MC The settings of the various System para Page Midi-Related Settings Chapter Range: The indicator will light and the display will show the Page Rps Trigger Quantize Chapter Page Arpeggio Sync Chapter The pitch is specified in Switched Patch Remain 1-cent units relative to the equal tempered pitch.

The execute page will appear in the display. Default Arpeggio Style fig. At this Playing notes outside this range will not make the SP sound.

This is referred to fig. Select the temporary pattern TMP. Advanced Applications Example of Real-Time Modify In this section we will explain how the sound will change when you move the various Realtime Modify knobs, using a suitable preset patch. Page Pitch Envelope Chapter The pitch envelope is used to create time-varying fig. This is effective when Producing a Muffled Tonal Character applied to brass-type sounds or piano-type sounds. By severely cutting the mid-range and boosting the Apply to parts: all parts low range, you can simulate a muffled sound, as if it This is effective when tern.

Advanced Applications Auto Panning Delay Sound Auto Panning Drums Since this uses the Auto Pan of short delay, the loca- This will pan the rhythm tone to left and right during tion of the delay sound will move at one-measure playback.

Page Error Meggage List Either initialize an unneeded pattern, or save the data to a memory card. Use a specified card p. PC Name No. PC Name I11 Ac. Organ 1 Lo-Fi The sound recordings contained in this product are the original works of Roland Corporation.

Roland is not responsible for the use of the sound recordings contained in this product, and assumes no liability for any infringe- ment of any copyright of any third party arising out of use of the sounds, phrases and patterns in this product. Idecs P:D86 Motown 1 4, Piano Lead 2 HipHop Early PianoChord 9 P:L56 E.

Page Parameter List Parameter List Patch Parameters : Parameters which can also be operated from the front-panel knobs or buttons. Page Arpeggiator Parameters Arpeggiator Parameters : Parameters which can also be operated from the front-panel knobs or buttons.

Time parameter. Previously set data will not change. Assign parameter, you can transmit any desired control change. Page This is the ID number manufacturer ID that specifies the manufac- status 2nd byte 3rd byte turer whose exclusive message this is.

Data transmission Sequencer section 4. Channel Mode messages 4. They will be ignored. Page prm2 Time R 0 - 0. Page 6. Page Equal temperament Roland exclusive messages RQ1, DT1 are transmitted with a checksum at the end of the This temperament divides the octave into 12 equal steps, and is the temperament most fre- data before F7 to check that the data was received correctly.